The 'FAILURE lab' began as a research week while making the solo FAILURE. I brought together  actors, dancers, improvisers and clowns to ask:

 

Is theatre more interested in failure than dance?

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We ranted, danced, and attempted to liberate ourselves from oppressive gendered ideals and reductive definitions of success and failure.

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I kept the name.

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'FAILURE lab' became an umbrella, under which I shared my practice, and the questions driving my latest creative processes.

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Improvisation and Performance Workshops
 

Together, 'we' create from the radical possibilities within the present. By 'we' I mean everyone present who wishes to join.

 
We practice getting lost as a strategy, disarming habits and judgments, playing with mystery, overwhelm, underwhelm, and excess. What situations will make my  dancing body unfamiliar to myself?

 

We play with sourcing movement  from sensations, words, objects, materials or costumes. We stretch our range of physical qualities and states. What can we understand, create and compose from the logics of a sensory body and image world?

 

We integrate visual, physical and vocal elements to collaboratively explore grey areas, unfamiliar territories, and places that might scare us. 

 

FAILURE Lab drew its influences from CI and somatic practices, clowning, comedy improvisation, theatre devising and choreographic methods, visual composition, text and continuous writing. Bringing in an eclectic mix of philosophical thought from cultural, queer and feminist theory, and accumulated influences from contemporary performance and dance makers.